Read + Write + Report
Home | Start a blog | About Orble | FAQ | Blogs | Writers | My Orble | Login

Muzikal Mafia - September 2008

LL Cool J - Exit 13 Album Review

September 24th 2008 00:33
ll cool j exit 13


Release date: September 9, 2008

Genre: East Coast hip hop

Length: 72:43

Label: Def Jam

Out of nowhere, LL Cool J hit the shelves with his latest album Exit 13. The last time we saw him on the mic was back in 2006, but now he says he's back as the G.O.A.T (Greatest of All Time) of rap.


The album starts with the song It's Time For War where LL states that he's back and that it's time for war. It has a violent melody with some bells ringing and a choir; the hard-hitting snare will keep your head nodding along.

Old School New School uses an old-school trumpet beat that makes you wanna stand up and clap. So far, so good.

Feel My Heart Beat features 50 Cent on the chorus, and is a “for the ladies” kind of song. LL's flow is pretty slow. First, he used his cruiser voice.

Get Over Here (featuring Nicolette, Jiz, Lyrikal, & Ticky Diamondz) has a South side beat. The first verse was sick, and the flow was pretty fast. It keeps you jumpy.

The second single of the album, Baby, features the Dream. This track is the typical LL love song. I didn't really like the beat. It sounded a bit like a faster, higher version of Akon's “It Don't Matter.”
BABY MUSIC VIDEO




You Better Watch Me sounded a little bit like 50 Cent's “I Get Money” with a dark techno beat. The words “get it” were repeated throughout the chorus. Still, it was a hard rap song.

Cry (featuring Lil' Mo) is another love song, except that it was more serious than Feel My Heart Beat and Baby. This was the song for the girl you love, not the one you meet anywhere.

I've got nothing to say about the eighth track called Baby (Rock Remix). It's the same song as the single except that it sounds more techno.

Rocking With The G.O.A.T. Was the album's warm-up single. It was a great choice because this song hit the streets hard. It's strictly street, OLD GANGSTER TYPE. This Is Ringtone Murder has a similar sound – old-school gangster. The beat makes you crazy with people screaming “GO” in the background. You can listen to this song non-stop.
ROCKING WITH THE G.O.A.T MUSIC VIDEO



Like A Radio is another song for the ladies. The beat felt like it was designed to be an R. Kelly song, but it had a more G sound. Anyways, I thought this album was going to be strictly raw, it looks like I was mistaken.

I Fall In Love has a Middle-Eastern sound on the chorus, thanks to the girl singing. The verses, on other hand, had a more techno sound with girls moaning in the background.

Ur Only A Customer sounded like it was made for the girls, but it wasn't really for the girls. I don't know if it was the beat or something, but it really felt like a ladies' song. I'm really getting tired of those girl songs.

Mr. President features Wyclef Jean on the chorus. I don't know why but there seems to be a fair amount of techno on this album. The drums on this track sounded like the drums on Justin Timberlake's “My Love.” In this song, LL talks to the President, asks him questions and stuff.

The fifteenth track is called American Girl. Again with the girls. This is quite disappointing because the warm-up gave the impression that the album was going to be raw as hell. Anyways, in this song he talks about girls in the U.S.A on a American anthem mix.

Thankfully, Speedin' On The Highway/Exit 13 brings some gangster flow to the listeners. Unfortunately, it sounded a little bit like a wankster song, you know, like all the crap that's coming out these days.t

The song, Come And Party, didn't really do justice to its title. I thought it was going to be a “hell yeah, party!” song but it came off less intense. The beat had an old school clap along with some techno here and there.

We Rollin' is the kind of song you play when you're in your lowrider with your girl, riding around under the song. This was a good song, but afterwards you get really tired of girl songs unless you're an old LL fan who always loved him.

The final track of Exit is called Dear Hip Hop. In my mind, this song was really disappointing because, with this title, you'd think the song would perfectly end the album, but it was far from being the best track of this record.

So, to summarize... This album could be considered good if you're an old-school LL Cool J fan. But, personally, I thought this would be a bigger comeback for LL, more raw. Instead, it was the same old ladies' man, just more classy this time around compared to when he was singing shirtless. There are only four songs worth listening to, so I wouldn't really recommend this album. Buy if you're a fan. Otherwise, it's nothing new, 7/10.
59
Vote
   


Metallica - Death Magnetic Album Review

September 18th 2008 00:23
Metallica Death Magnetic
Release date: September 10, 2008

Genre: Thrash metal, Heavy metal

Length: 74:41

Label: Warner Bros., Vertigo, Mercury, Universal Music Japan

Before I start this review, let me tell you a couple of things about me so you can understand how I felt when listening to Death Magnetic. My first contact with Metallica was in 2003 during the Summer Sanitarium Tour. My main reason for going there was to see Linkin Park live for the first time ever. I was a big fan of LP since Hybrid Theory came out when One Step Closer was a sleeper hit on MTV2 and the band hadn't made its way to TRL and mainstream audiences yet. Anyways, the tour had an impressive line-up with Deftones, Mudvayne, Limp Bizkit (who could still rock out a crowd even though their popularity was fading), Linkin Park, and of course Metallica. During this summer, their lead single for St. Anger (also titled St. Anger) was getting heavy rotations on TV stations and the radio. Needless to say, after that show, I was instantly hooked. I couldn't understand why people hated St. Anger so much until I was tired of listening to it, and started to look for other bands. Then, I discovered Rammstein whose albums were a lot more up-tempo than St. Anger. A European friend of mine told me that Rammstein was the Germany's equivalent of Metallica. With that in mind, I got myself all of Metallica's old albums up until ...And Justice For All. It was then that I understood what Metallica was all about. Kill 'Em All, Ride The Lightning, and ...And Justice For All quickly became some of my favorite albums (Metallica a.k.a The Black Album and Master Of Puppets are great too but I prefer the rawness of Kill 'Em All and Ride The Lightning). When I heard that they were going back to their roots for Death Magnetic, I was both ecstatic and skeptic. Could they really become that band that became icons more than twenty years ago? Well, the answer is a resounding YES, and here's why.

When That Was Just Your Life started with heartbeats in the background along with a melody, I was a bit apprehensive at first. The opening notes sounded more of the same until the track hit the 1:35 mark. Then, the crazy instrumental suddenly appeared and I was at peace. Not only were they back to their high-tempo style, but the great solos also returned, each song having its own moment of brilliance.

The End Of The Line picks up the great instrumental bit and simply runs away with it. This song had crazy guitars, I counted at least four different guitar melodies on it. Of course, the 7:51 length probably helped in that regard. They could vary and spread out the riffs without having the song feeling like a bunch of riffs cut and paste together. At first listen, the track sounded familiar and that was very distracting for me because I couldn't quite put my finger on why it sounded like that. After racking up my brain, trying to remember all the Metallica songs, it dawned on me. The riff during chorus sounds a bit like Some Kind Of Monster's fifth verse where the tempo quickened a bit (the part where Hetfield sings “This is the cloud that swallows trust / This is the black that uncolors us / This is the face that you hide from / This the mask that comes undone").

Broken, Beat & Scarred is the kind of song you can use in a sports drink/apparel commercial with lyrics like "You rise, you fall, you're down then you rise again / What don't kill you makes you more strong." It's easy to see this song becoming an anthem for a professional team and/or to hear it get played in stadiums across the country.

I really liked the main guitar riff on The Day That Never Comes which is the album's first single. It's a slow song; there are two of those on the album – this one and The Unforgiven III. I don't know why but every time I listen to it, shades of Nothing Else Matters come to mind. Half the song is only instrumental with the lyrics ending at 4:45. They're probably making up for all the wasted minutes of St. Anger.

The Day That Never Comes Video


All Nightmare Long is straight up original Metallica. It's fresh, it's raw, it's fast, and it's hard. Once again, it feels like there's more instrumental than lyrics. To give you and idea of what it sounds like, picture their first album Kill 'Em All with a more sophisticated sound.

Cyanide is probably the most underrated song on this album. The lyrics are depressing, but the song is well-structured; a great track.

Where Cyanide is underrated, The Unforgiven III is an instant classic. This time around, they've added a piano, strings (violin, cello), and even some wind instruments to the mix to create a great song.

Hetfield's singing on The Judas Kiss sounds a bit like his work on Some Kind Of Monster. I feel like I'm repeating myself here, but, once again, great instrumental.

Suicide & Redemption is a ten-minute instrumental which rises in intensity in the beginning. You know, if the other tracks weren't as good as they are, I'd still give a perfect score to this album, just for this instrumental. Redemption... they got the title right.

Finally, the album ends with My Apocalypse. Again, the instrumental is vaguely familiar. It reminded me of Fight Fire With Fire, the first track on Ride The Lightning. It's a up-tempo song that ends the album on a high note. You'll replay the whole album again as soon as you're done.

I gave it away when talking about Suicide & Redemption, Death Magnetic deserves a perfect score – 5/5, 10/10, whatever... This is the kind of record that you'll play over and over again. I've already listened to it four times and memorized most of the choruses. It's also the kind of record that makes you want to pick up a guitar and play the songs. The metal gods are definitely back on the map. I can't wait for their tour to stop in Montreal.

On another note, I have no idea what to review next week. So, if anyone has a suggestion, just send me a comment below.
68
Vote
   


Young Jeezy - The Recession Album Review

September 15th 2008 23:48
young jeezy-the recession

Release date: September 2, 2008

Genre: Hip hop

Label: Def Jam, Corporate Thugz

Jeezy is back on the shelves with his third rap album titled The Recession. Selling over 260,000 copies in its first week, The Recession debuted at number one on the Billboard 200, making this Young Jeezy's second number one album.

The record starts with an intro track named The Recession but instead of being a traditional short intro, The Recession is a full song which sounds a little like a national anthem. The trumpets were nice, Jeezy was going hard at it; pretty good song. It starts the album well.

Welcome Back follows with a little crunk sound. This song is to state the fact that Jeezy is back on the map. A pure Jeezy song, if you like him, you'll like this song.

The third song is By The Way, a more serious track than the previous ones. Nevertheless, the beat stays the same and sounds like another anthem.

Crazy World
is another good song. However, the three previous tracks sounded better. I don't know why but the sound didn't fit Jeezy even though the beat was great.

The beat on What They Want sounds like something you would find on one of Jeezy's previous albums. It's just another Jeezy song.

Amazin' is a calmer than the previous tracks but it still has a hard kick and snare. I guess everybody has to record a song where they show their greatness; well, Jeezy does too. Every rapper has a song like this in their repertoire, yet not all of them improve their lyricism in those songs. Jeezy didn't change, he spit like it was just another track.

Hustlaz Ambition sounds like the kind of song you can hustle to, so I guess they got the title right. The chorus, however, wasn't good. It was Jeezy rapping in normal voice and on a phone, so it didn't sound really good. This was a more serious song with an average beat.

Who Dat has a straight G beat. The flow switched at times, and it felt like one flow was going faster than the other. Still, both flows were gangster. The chorus was a little too simple though with “Who dat.”

Don't You Know comes back to the serious side of things but still sounds gangster. There's nothing to say about it, just another average song.

I didn't like Circulate much. The beat was sampled from Billy Paul's “Let The Dollar Circulate.” His voice was also sampled on the chorus. Jeezy's rapping was a bit too repetitive with him saying the same words often.

Word Play was a little faster than Circulate. I didn't hate this song, but I didn't love it either, it just didn't have the Jeezy feel.

The second single of the album, Vacation, is a more relaxing kind of song. The beginning and the end of the song sounded familiar when he said:

“Said I'm stressed out... so tired
My days... so long
Said I'm stressed out... so tired
Got to... move on”

VACATION MUSIC VIDEO


Everything, featuring Lil' Boosie and Anthony Hamilton singing in the background and in the third verse, moved too far away from Jeezy's original style. I didn't like it. Lil' Boosie was on the second verse, and he was even worse than Jeezy.

Takin' It There, featuring Trey Songz, was a little boring. At this point, I was starting to get tired of listening to the album. That's never a good sign. Don't Do It had the same effect – a boring song that sounds exactly the same. On Get Allot, even Jeezy sounded tired; something that really put me off this song.

The first single of the album,I Put On, features Kanye West, and was easily appreciated by the fans, especially the hook:

“I put on for my city, on on for my city
I put on for my city, on on for my city
Put on (East side)
Put on (South side)
Put on (West side)
Put on”

It's pretty easy to remember, and doesn't sound fake. Jeezy was good on the verse, but I hated Kanye West. Don't get me wrong, I'm a big Kanye West fan, but why oh why did he have to use the auto-tune. It was the worst thing I've ever heard. You can use the auto-tune on the chorus, but not a whole verse! I mean, WTF? This was pretty disappointing for a great rapper like Kanye West. The video had some pretty hardcore stuff, but it didn't match the song in my opinion. Take a look, you decide.

I PUT ON MUSIC VIDEO


The last song is My President, featuring Nas. Once again, the beat is like a little anthem only not as hard as in the beginning of the album. Nas was on the third verse but he didn't really fit with the song. I think it's because the beat had a southern sound while Nas usuallly kills East coast beats, so it was kinda weird.

So, let's summarize the album. The Recession had a great start, then it just started to fade by getting repetitive and boring. However, I still like Jeezy. If you're a real Jeezy fan – know everything about him – then you'll like this album. Everybody says that this was a great album, but I think that it's no different form his previous work. All in all, if you love Jeezy, buy this album.I give it a 8/10 maximum.
77
Vote
   


Slipknot - All Hope Is Gone Album Review

September 11th 2008 23:37
Slipknot All Hope Is Gone
Release date: August 20, 2008

Genre: Alternative metal, Heavy metal


[ Click here to read more ]
68
Vote
   


The Game - LAX Album Review

September 8th 2008 02:09
the game-lax

Release date: August 22, 2008

[ Click here to read more ]
72
Vote
   


For the second issue of Blast From The Past, we'll dvelve into punk rock, metal, and rap. Part III will look at one of greatest metal bands, Iron Maiden.


[ Click here to read more ]
56
Vote
   


For the second issue of Blast From The Past, we'll dvelve into punk rock, metal, and rap. This is the second part for the month of September, and will deal with The Ramones' Mondo Bizarro

[Click here for Part I: Fat Joe - Don Cartagena Album Review]

[ Click here to read more ]
58
Vote
   


For the second issue of Blast From The Past, we'll dvelve into punk rock, metal, and rap. The first part of this column revisits Fat Joe's Don Cartagena.

fta joe-don cartagena

[ Click here to read more ]
71
Vote
   


More Posts
3 Posts
2 Posts
5 Posts
131 Posts dating from October 2003
Email Subscription
Receive e-mail notifications of new posts on this blog:
Moderated by Ann 2
Copyright © 2006 2007 2008 On Topic Media PTY LTD. All Rights Reserved. Design by Vimu.com.
On Topic Media ZPages: Sydney |  Melbourne |  Brisbane |  London |  Birmingham |  Leeds     [ Advertise ] [ Contact Us ] [ Privacy Policy ]