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Muzikal Mafia - September 2009

Three Days Grace Life Starts Now
Release date: September 22, 2009

Genre: Rock

Length: 43:33

Label: Jive

Three years after their platinum sophomore effort One-X, Canadian band Three Days Grace is back with their third album titled Life Starts Now. Is it an improvement over their previous releases? Read on to find out.


The opening track, Bitter Taste, immediately shows a shift in Three Days Grace's sound. Although the heavy guitars are still there, the drumming feels a lot more sophisticated and worked on than on previous albums. This time around, the drums don't just stick to one pattern throughout the whole song. Instead, there are several variations in the rhythm which, combined with the guitar solo, make this song sound different than previous 3DG tracks.

The first single, Break, is closer to the Three Days Grace of old with Adam Gontier's unmistakable voice roaring over the instrumental. The prominent bass reminded me of their first single from One-X, “Animal I Have Become.”




Any other band performing World So Cold would make it sound like a ballad dealing with heartbreak, similar to the countless rock ballads that came out these past couple of years. In Three Days Grace's case however, World So Cold sounds like one of their signature angsty tracks in the vein of their debut single “I Hate Everything About You.” Despite the new sound instrument-wise (the guitars seem to be clearer on this track), Adam's raw voice is still at the core of Three Days Grace's sound, the constant thread linking all three albums.

With Lost In You, Three Days Grace truly take a step in a new direction. Where World So Cold still had that angsty sound to it, Lost In You is a full-fledged love ballad. At first it was weird to hear the full track without having Adam screaming on the chorus, but the song quickly grows on you. It's a calming respite from the heavy sound of the three previous tracks.

A high-tempo track, The Good Life returns the listener to 3DG's heavy sound. The song itself sounds like a cross between Three Days Grace's One-X single “Riot” and Nickelback's “Burn It To The Ground” from their Dark Horse album.

No More is another heavy track but here again there are glimpses of 3DG's new sound with an excellent guitar intro which continues in the background throughout the song.

Last To Know is a beautiful piano-driven ballad, the kind of song that I never expected to see Three Days Grace perform but it's excellent. The lyrics ring true and you can't help but feel a tinge of sadness once the song is over.

Someone Who Cares is another heavy track that is closer to 3DG's early sound. The guitars are loud, Adam's voice is powerful; truly an excellent track. The opening ten seconds reminded me of Coldplay's “Spies.”

Bully, Without You and Goin' Down all show that it's in the little things that Three Days Grace have improved the most. All three are relatively heavy tracks but each have something in particular that comes out. On Bully, the production is excellent. It especially shines during the break when the instrumental goes on a Linkin Park-esque stop-and-go rhythm. On Without You, it's the guitar solo that really pops out. Finally, Adam's singing on Goin' Down gives a horror movie-like vibe to the verses. The dichotomy between his smooth singing on the verses and downright screams on the chorus makes the song even more powerful.

After the epic Goin' Down, I was kinda disappointed with Life Starts Now, the final track of the album. It went too slow in my opinion and would've been better placed after Someone Who Cares, leaving Goin' Down to end the album with a bang.

Although Three Days Grace still have the angst that's always been present in their music, their overall sound has improved as they gave more intention to the little details such as the drumming, guitar solos and the structure of the instrumentals. Adam Gontier still roars but shows that he can also sing heartbreaking ballads such as Lost In You and Last To Know. I give Life Starts Now a 4/5. This album has shown that 3DG has a lot of potential. Each album release has shown an improvement in their sound and I think they can do even better.
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Jay-Z - The Blueprint 3 Album Review

September 15th 2009 00:36
the blueprint 3


Release date: September 8, 2009

Genre: Hip hop

Length: 60:47

Label: Roc Nation, Atlantic

One of the most anticipated albums of the year, Blueprint 3, has finally dropped. Going up against Eminem's Relapse, many people expected Blueprint 3 to be the best rap album of the year. But what did Jay-Z bring us this time – the commercial stuff that the masses embrace so readily or the real good, old street hip hop. The album was supposed to be produced only by Kanye West and No I.D. But Jay called some more producers to the table. Was that a good move? We shall see...

The album kicks off with What We Talkin' About featuring Luke Steele. Produced by Kanye and No I.D., the beat is a mix of synthesizers with a choir in the background. It sounds like a good mainstream hip hop song. If you listen to the lyrics, you will hear the following lines: “I ain't talking about gossip, I ain't talking 'bout Game / I ain't talking about Jimmy, I ain't talking 'bout DAME!” This is the part that really opened up the beef between Game and Jay. There were some subliminal shots here and there by both rappers but nothing really serious. But with this line, Jay made Game write a diss song titled “I'm So Wavy.” So, What We Talkin' About started a beef that hasn't ended yet. The song is average for me. I really didn't like the chorus but at least the lyrics had some good sense.

The second track of the album, Thank You, is also produced by Kanye and No I.D. Its beat is better than the previous track but Jay-Z doesn't fully exploit it in my opinion, meaning that the song could've been better. At some point, it becomes boring. It's like Jay-Z isn't even trying anymore, he's just rapping to rap and it doesn't sound right.

No I.D. was the lone producer on the first single titled D.O.A (Death Of Auto-Tune). The beat is off the hook but like Thank You, Jay-Z doesn't take it to the level that he can. Still, he does flow well on this beat. What I hate about this song is the lyrical theme. The song calls for Death of Auto-Tune but at the same time, Jay-Z respects Kanye even though the latter dropped a full Auto-Tuned album. He also gave some props to T-Pain – another Auto-Tune user - in an interview. I think he should choose something. Either Auto-Tune is bad or it's good. It can't be bad for some and good for some. Anyways, those were my thoughts on this song.

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The second single, Run This Town, features Rihanna and Kanye with the latter also getting producer credit. The song has the cool, soul type feel to it. You can easily recognize Kanye's style in this track. Some might hate it but I liked Rihanna's singing in this song. I found it very uplifting. But again, Jay-Z doesn't kill the beat like he used to. He's rapping just to rap, there's no feel to it.

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The fifth track called Empire State Of Mind features Alicia Keys. Nas was also supposed to appear on this song but no one knows what happened there. The track is very good lyrically and musically but Nas could definitely have taken it to another level. I think Alicia Keys took Nas' place on the last verse. Strangely enough, this song is crazy and yet it's not even Kanye or No I.D. Who produced it, it's..... Shux. Alicia Keys does bring something great on the chorus. This track is one of the best songs so far on this record.

Real As It Gets
featuring Young Jeezy follows Empire State Of Mind. Say whatever you want but every artist needs a mainstream-friendly name on their album even Jay-Z. Real As It Gets was produced by The Incredibles. It's a cool beat but sounds recycled. Since Jeezy was the first to spit, it seemed like the beat was made for him and not for Jay. He ripped it better than Hov. There is nothing more to say about this track really. It's just like any song you hear nowadays.

Swizz Beatz makes a guest appearance on On To The Next One. I never thought he would be on this album. Since the track was produced by him, you already know what to expect. Swizz Beatz is a good producer but his pool of inspiration is pretty small. This song was supposed to be crazy but it's just boring with Jay-Z spitting on a loop. Nothing new or interesting.

The eighth track, Off That, features the “incredible” Drake (it seems that's what people think nowadays -_-). Although Timbaland produced the track, the beat is nowhere near as good as his work with Missy. Like Jay-Z, now that Timbo is a big name, he doesn't try anymore. The chorus is nothing new with Drake singing or whatever it is that he does.

Kanye and No I.D. pop in again on A Star Is Born featuring J. Cole. I don't know how to explain this song. There's an uplifting part and a part with claps. Jay does well on this beat – nothing too crazy but still good to listen to. J. Cole does his thing on the chorus which isn't much since it only lasts like two seconds.

Timbaland's second track on the album is Venus vs. Mars. This beat was darker than Off That. It's cool at the start but you get tired of hearing it and Jay-Z doesn't make it any better.

Already Home
features Kid Cudy and was produced by Kanye. I didn't like Cudy on this song, not feeling him at all on the chorus. Jay, again, doesn't really make something of this song, it's just... boring.

The twelfth track, Hate, features Kanye West. I don't know what Kanye used to make this beat but it's really weird. Both rappers are really bad on this song, their flow doesn't match the beat at all and they aren't saying anything important. This track is just weird and boring.

Timbaland is back again with Reminder. The beat is more a gangsta type of song but Jay-Z raps on it like he would on any other beat. This song is also boring.

So Ambitious features Pharrell who also gets production credit on the track. It's easy to see that the beat was made by Pharell but it's not that impressive. I don't know if it's Jay-Z who doesn't know how to pick a dope beat or if it's the producers who are getting worst because this beat sounds like Pharell minus 99% of his talent. Another boring song.

Young Forever featuring Mr. Hudson concludes the album. Produced by Kanye, the beat starts like a wedding theme. When the drum pattern kicks in, you realize that this beat is sloooowwwww. And jay-z once again doesn't make it crazy. This song is just slow and you're like “O-kay.” Mr. Hudson only does the chorus.

With Blueprint 3 being one of the most anticipated albums of the year, you can see why Nas is saying that hip hop is dead. This record became boring after the first five songs. It was so bad that I wanted to finish it quickly after Empire State Of Mind. I give this album a 6.5/10 and I'm not kidding. Jay-Z can do 100 times better than this and everybody knows it. But mankind is getting dumber and dumber every year until they don't even remember what good music sounds like. Don't you people remember Feeling It, Hard Knock Life, Big Pimpin', I Just Wanna Love U, Renegade, PSA, Lost One, Rock Boys? I just named a classic song off of each of his albums and not one song on this Blueprint can be compared to those. I'm sorry to say this but Jay-Z lost his touch on the mic. He's finished but he's still making money because people keep buying his albums. I also blame the producers for the lack of quality work. I mean c'mon, you got Kanye, No I.D., Timbaland and The Neptunes and you still can't make a great album? Something is just wrong.
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