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ice cube-death certificate

This week on Blast From The Past, we'll revisit the early 90s with Ice Cube, Foreigner and Megadeth.

Release date: October 31, 1991

Genre: Political rap, Gangsta rap, West Coast hip hop

Length: 61:08


Label: Priority

A legend in the game, a king in the West, Ice Cube is recognized everywhere he goes. Acclaimed as one of the best hip hop albums, Death Certificate was a great album for Ice Cube. Mostly produced by Boogiemen and Ice Cube, Death Certificate has only 2 or 3 guests featuring, allowing Cube to show his rapping skills on a double-disc album.

The first disc is entitled The Death Side and starts with The Funeral, an intro on which we hear a funeral along with a preacher praying and stuff.

The Funeral is followed by The Wrong N**** To F**** Wit. This song was good but it wasn't as hard as other tracks on the album, I wouldn't put it on my iPod. It sounds like there's too much stuff going on in the beat, but Cube still attacks the mic hard.

Like its title says, My Summer Vacation is the kind of song you would play in the car under the summer sun. The album is very old-school, and I just love that old-school sound. The beat is knocking, you cannot hate this song, people. At the end of the track, there's a black man getting arrested. My Summer Vacation is also on Cube's Greatest Hits album.


The police arrest at the end of My Summer Vacation serves as a transition to the next track Steady Mobbin' which starts with the arrestation. This song is just a chillin' track to bang while you're driving as Cube does it in the video. His voice goes well with the beat, but this isn't the kind of song you can keep playing all day. Still, it's a great track. It's Death Certificate's first single.
Steady Mobbin Music Video



You can call the track Robin Lench an interlude since it lasts only one minute. I think it's a radio show or something, there's just a man talking with a loud voice like a circus' ringleader.

Givin' Up the Nappy Dug Out is crazy with the tight, funny lyricism as Cube tells a father how his daughter is becoming a slut. The chorus is just nice, both sweet and funny as a choir sings:

“I got a big old ding-a-ling, and if that bitch can hang
I'm gonna do my thing, with your dauuuuuughter!”

Cube keeps it crazy on the second verse with a tight delivery. That song is just hilarious. Definitely on the iPod.

Look Who's Burnin'
sounds like it was really worked on lyrically. As for the beat, it was pretty average compared to the previous songs.

A Bird In The Hand
goes back to the hard Ice Cube. This is a hard song, but somehow still sounds slow and smart. The beat switches a couple of times from big to normal, I really liked this. Once again, Cube murders the beat without stopping, he just keeps killing it. There's no chorus on this song as it finishes with those words:

“Tell the politicians, the hustlers: live and let live (yeah)
Tell the politicians, the hustlers: live and let live (yeah)”

Man's Best Friend is the ninth track on the first disc. The only word I can find to describe the beat is... cool. Just a sick flow. In this song, Cube doesn't talk about humans, he says guns are Man's best friends. In a way, he disses dogs by saying they're much more dirty/nasty than guns, that's why guns are now our friends.

In my opinion, Alive On Arrival isn't close to being one of Cube's best, but somehow you can't hate it thanks to the old-school flow. Nowadays, we only hear the techno/hip hop beat, but the old-school is much much better than the new school.

The Death Side concludes with the outro, Death which is similar to The Funeral except for a little smooth beat in the background.

The Birth introduces the second disk entitled The Life Side. In this track, we are in a hospital where a woman is giving birth.

There a are a lot of racist cuts on I Wanna Kill Sam as it starts like this: “Because we do more before 7 A.M. than most niggers do in their whole lifetime.” The beat really gets you to nod your head, just chill and relax. Cube has great lyrics on it so you can either nod to the beat or listen carefully.

On Horny Lil' Devil, we mostly hear the snare on the beat which allows us to really hear Cube on the mic. It's not a bad idea, but it is much better when has a banger in the back.

Black Korea feels like a freestyle. Indeed, it's just 50 seconds long, but it is an itense 50 seconds where Cube spits very fast. His rapid delivery really comes out of nowhere on this track.

The second single, True To The Game, is simply slow and gangster. Only it's the real gangster stuff, not the 2008 big bangers type.
True To The Game



The seventeenth track, Color Blind, features Deadly Threat, J-Dee, Kam, King Tee, and WC. The beat is sick in the beginning, but the kick and snare messed it up bad. Seriously, I'm sad how much they twisted this song badly. But this is just a track to really relax to, so relaxing that you could sleep to it.

Doing Dumb Shit sounds like a salsa rhythm mixed some old-school hip hop which kinda surprised me. Anyways, on this track, Cube talks about how he was a little gangster/rebel when he was young, doing bad stuff at school, in the hood, anywhere.

Us starts with a kid talking about that gangster shit. It's another gangster banger, but not the big banger, just a head-nodding track.

No Vaseline is a full-on assault towards his old crew, N.W.A. He disses each member one by one without stopping. The beat is straight knocking. If you search for the best hip hop disses, you know you will find the words: No Vaseline.

The album concludes with How To Survive In South Central. I wonder how the producer made it because the sound is just so nice, the bass is craaaazyyyyy, with the old-school claps of course. Anyways, this song is just straight gangster again. Another banger.

So, in the end I wouldn't buy this album. Sure I'm a huge Cube fan. I think he is truly a legend in gangster rap, but still I wouldn't buy Death Certificate because it doesn't have enough good beats from Cube. I mean sure this is good, but not his best work. If you asked me to name Ice Cube's best tracks, most of them wouldn't be on this record. But this album is tight, I give it a 8/10. A 9 would be a bit too much.
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T.I - Paper Trail Album Review

October 16th 2008 22:09
paper trail
Release date: September 30, 2008

Length: 73:15

Label: Grand Hustle, Atlantic

Whether you agree or not, T.I still thinks of himself as the king of the South. With many great albums under his belt already, he comes back with Paper Trail, one of the most anticipated albums of the year.

The album starts with an intro called 56 Bars. T.I.'s voice sounds a little different on this one, but it still sounded like any other Southern rap song; nothing new really.

I'm Illy is another southern song except this one has a choir on the beat, and often switches flows; nothing new again.

The third track, Ready For Whatever is less of a banger than the previous two songs. You can say it's a more gangster/serious type. No Matter What is another serious song in which he speaks of how he came up, and how he'll stay on top no matter what happens.

On Top Of The World features Ludacris and B.O.B – that's surprising considering the old beef between T.I. And Luda. This one really has a good feel to it, as if you're really on top of the world. Ludacris has a better flow than T.I. on this track, he was going harder at it.

The sixth single, Live Your Life, features Rihanna on the chorus, seemingly using the auto-tune effect. I like the way they mixed the opening of the song with O-Zone's “Dragostea Din Tei.” Although the beat is good, I have to say that Just Blaze didn't put his best effort on it, not even close to his usual work.

Whatever You Like (the second single) is a slow song for the ladies to dream to. In it, T.I. says that he can buy anything for his girlfriend because of his status. This song will stay in your head even if you don't like it thanks to an effective hook.
Whatever You Like Music Video



My Life Your Entertainment
features R&B superstar Usher. Most of the snare on this album sounds the same, so the rhythm becomes quite repetitive and annoying as you listen to the song. So, yeah... this is another ordinary track.

The ninth track, Porn star, wasn't really amazing. It was another ladies' song and sounded like an R&B track.

The third single, Swing Ya Rag, is a pure banger produced by Swizz Beatz. The trouble with this song is that it sounds like the rest of the album, like I already heard it before. It doesn't sound fresh and new.
Making Of Swing Ya Rag Video



The fourth single, What's Up, What's happinin', follows Swing Ya Rag. This one sounds a bit like an anthem which is good, but T.I.'s voice sounds tired. There's no emotion in it, it's as if he's rapping only because he's getting paid for it, not for the love of the music.

The beat on Every Chance I Get sounded more dope, but the lyrics turned it into another average, unoriginal song. The beat is crazy, but T.I.'s voice stays flat, he has to switch his flow up.

The fifth single, Swagga Like Us, features Kanye West, Jay-Z, and Lil' Wayne. There's a sample of M.I.A's “Paper Planes” on this track, and Kanye uses the auto-tune which really messes it up. Weezy also uses the auto-tune. Although this song has some great names as featured guests, none of them live up to their name. This song is also on Jay-Z's “The Blueprint 3.”

Slide Show
starts with a slow piano, then a synth kicks in. T.I. uses his serious voice on this one. You Ain't Missin' Nothin' has the same instruments as Slide Show along with a Mexican guitar. Both tracks sound alike.

Last but not least, Dead And Gone features Justin Timberlake on the chorus. I guess this is how Justin pays T.I. for featuring on “Futuresex/Lovesounds.”

In the end, all I got to say is this is one of T.I.'s worst albums and it has the worst single T.I. ever made. I'm sorry, but it's true. Let's make a comparison. Rubberband Man = great song, Bring 'Em Out = crazy great song, What You Know = crazy great song, You Know What It Is = nice sweet song, and now we go downhill with No Matter What, and Whatever You Like – R&B songs for the girls. It's weird because T.I. was recently in jail, the experience is supposed to make you harder, not softer. I don't know how it happened but T.I. is getting softer and softer with every album he drops. I give it a 7/10 because it's T.I., and I know what he's capable, but truthfully, this album is a 6/10 for me at best. Sorry.Kind of disappointing
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policitcs as usual

Release date: September, 2008

Genre: Rap

Label: S.T. Records

The late Big Pun is one of those rappers who are considered a class apart. On Politics As Usual, Termanology states that he is “the resurrection of Pun.” Although that may sound like a bold statement, many pundits silently agree with that claim. They both have the same style that isn't easily imitable. Tehttp://my.orble.com/communi ty/blogs/posts/modify/398009/ #formrmanology was always known in the underground scene as one of the best lyricists. Well now, he will be known thanks to this album. What do you get when you have a great rapper and great producers? The answer at the end.

The album starts with an intro called It's Time where a beat plays and you can hear Term's voice in the background.

The second track is the famous Watch How It Go Down released two years ago. It's in this song, that Termanology states that he's the resurrection of Big Pun. The lyricism is simply genious, and the beat is pure greatness produced by the one and only DJ Premier.
Watch How It Go Down Music Video

My Walk sounds like Will Smith's “Miami” only slower and smoother. It has a great trumpet in the beat. This is pretty much a song that slows things down after Watch How It Go Down. Still, it's a great listen.

Hood Shit (featuring Prodigy) is, like the title says, for the 'hood. This is a dark gangster type of beat produced by the great Alchemist. You can't hate on the beat nor on the lyrics. On the chorus, they repeat a 'hood name followed by “hood shit.” This is a track that you can bang everyday everywhere.

Please Don't Go is the kind of track you can relax to, or just listen anywhere you go. The beat is chill and smooth, and the chorus has a really good hook. You won't be disappointed with this song produced by Nottz.

How We Rock (featuring Bun B) is another banger that you won't stop listening to. A friend told me that the beat sounded like a lightsaber from Star Wars. It kinda does sound the same... Maybe... Who knows? DJ Premier is one of the best samplers so... I like the fact that they chose Bun B for the collabo. His style is different from Termanology so it changes the flow a bit. Plus, as one of the best from the South, he certainly kills the mic.
How We Rock Music Video



In The Streets (featuring Lil' Fame of M.O.P.) sounds like a western gangster shit thanks to Hi-Tek's great beat. This is the killer's type of song that you can imagine when walking in a dark alley.

In So Amazin', you could say Term disses all the other labels as he says that no one wanted to sign him, but everyone knows he has great respect for the rappers he speaks of, so... Once again, the beat produced by DJ Premier doesn't disappoint.
Sorry I Lied has a more serious flow to it thanks to the beat and the way Term raps with a low and deep voice. In this song, he apologizes for the album's late release mong other things.
So Amazin Music Video


We Killin' Ourselves is also a serious song, just not in the same way as Sorry I Lied. On this one, it's more like he's telling you to shut up and listen. The beat, produced by Pete Rock, is really tight, and Term's change of tone brings a refreshing aspect to the song.

Other tracks that I couldn't find include Float; Drugs, Crime & Gorillaz (featuring Sheek Louch and Freeway); and The Chosen.

So, if you don't know the answer to my question by now, you must be stupid. Great rapper great producer = great album. Yes, you could feel that this was an underground rapper who messed with the streets, not your average commercial rapper. He didn't have too many guests rappers so that he could show his talent to the world. I thought this was a great idea because he can do it alone, he just needs the right producer and you find yourself with a great album. I give it a 9/10 for sure.
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big willie style
Release date: October 3, 1997

Genre: Pop rap, funk


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LL Cool J - Exit 13 Album Review

September 24th 2008 00:33
ll cool j exit 13


Release date: September 9, 2008


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Young Jeezy - The Recession Album Review

September 15th 2008 23:48
young jeezy-the recession

Release date: September 2, 2008

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The Game - LAX Album Review

September 8th 2008 02:09
the game-lax

Release date: August 22, 2008

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For the second issue of Blast From The Past, we'll dvelve into punk rock, metal, and rap. The first part of this column revisits Fat Joe's Don Cartagena.

fta joe-don cartagena

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Ice Cube - Raw Footage Album Review

August 28th 2008 21:57
Raw Footage
Release date: August 19, 2008

Genre: West coast hip hop, gangsta rap, political hip hop


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only on the left side


Release date: August 12, 2008


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David Banner
Release date: July 15, 2008

Genre: Rap/Hip hop, R&B, Crunk, Dirty South, Pop Rap, Snap Music


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Welcome to the first edition of Blast From The Past. In this monthly column, we'll post three (sometimes four) reviews of albums that came out a long time ago. This month, we'll cover three very different musical genres by revisiting Aerosmith's Rock in a Hard Place, Michael Jackson's Ben, and N.W.A's Straight Outta Compton. Today, we're checking out N.W.A for the 20th anniversary of Straight Outta Compton.


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I went cruising last night. Can you believe that? I am 34 and I went cruising with my friend listening to all the greats derived from the Seattle sound.

The Seattle sound originated with the 'Godfathers of Grunge', Neil Young -(I was a bit surprised by this bit of trivia until my friend
Neil Young-Wikipedia
LethalPiano pointed it out and I did some digging)- and to 'Green River', allegedly named after the Green River serial killings, whose members Stone Gossard and Jeff Ament started jamming a bit with members of 'Malfunkshun', Andy Wood and Regan Hagar. That musical collaboration then became 'Lords of the Wasteland', which was later renamed 'Mother LoveBone'. There are other major players in the beginnings of this genre, as well


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VOICES VIEW: CONWAY TWITTYPATED

October 31st 2006 15:43
At the risk of annoying all of you, it's necessary for me to create a post just for Conway Twitty.

In time, you will understand how my mind works. It doesn’t stop thinking of the comments you and I leave on this blog once I hear the disembodied AOL voice say, “Goodbye!” I mull things over, I have a listen, I think about it. In the post, ‘Do You Think His Tractor’s Sexy?” I asked a question about country music, which led me to Conway, whom I started listening to his greatest hits and several days later, I am still turned on by him, which means, he gets his own damn post. *smile


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