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Get Busy Committee - Uzi Does It Album Review

December 4th 2009 00:59

GBC, Get Busy Committee, Uzi Does It, Koala

Release date: November 10, 2009

Genre: Hip-Hop

Length: 48:06

Label: Tokyo Sex Whale Records

Composed of underground rappers Apathy (Army of the Pharaohs, Demigodz) and Ryu (Styles Of Beyond, Fort Minor) as well as producer Scoop DeVille, the Get Busy Committee released their debut album Uzi Does It last month to considerable buzz on the underground scene. Does the album match the hype? Read on to find out.

Uzi Does It opens with My Little Razorblade, the first of several tracks that leaked before the album's release. Ryu and Apathy each have a verse on the track. Although Ryu impresses with his relatively fast delivery and Ap gives a shout-out to the 90s by starting his verse in the same flow as The Fresh Prince of Bel-Air's theme song, My Little Razorblade isn't really a memorable track. It's a decent song that you will play a couple of times but you definitely won't put it in “repeat” unlike many of the two rappers' other tracks.

The second song, titled Runnin' Outta Dough, feels like a dance track. It could easily be remixed for the club scene. The chorus is quite catchy (“I'm runnin' outta dough-oh-oh-oh-oh-oh-oh” / “It's gettin' kinda low-oh-oh-oh-oh-oh-oh”). You'll find yourself singing it non-stop.

Stylish Clothes is a definite throwback to the 90s mainly because of the sample used in that track: Wreckx-n-Effect's multi-platinum hit, “Rump Shaker.” Ryu and Apathy burn up the track with great verses that blend seamlessly with the beat. Scoop's verse wasn't as great but, fortunately, it didn't mess up the song.

Shoot Me Up feels like the poor version of a Black Eyed Peas song. The girl on the chorus sounds a lot like Fergie while the beat sounds like a slowed down dance track.

I Don't Care About You follows Shoot Me Up's dance direction. It's basically a break-up track, the kind of thing that you would never find on a “gangsta” album. Musically, it's quite different from today's rap/hip hop. Like Shoot Me Up, I Don't Care About You sounds a bit like a Black Eyed Peas song, only this one is much better.

Like Stylish Clothes, Chillin' Out Maxin takes us back to the 90s. The chorus is basically a mash-up of three lines from The Fresh Prince of Bel-Air's theme song: “Chillin' out maxin' relaxin' all cool and all,” “shootin' some” (“b-ball outside of the school” was omitted), and “making trouble in my neighborhood.” It's the official first single of the album.

The title-track Uzi Does It is one of the songs that leaked early on. It's a smooth, old-school track with numerous memorable one-liners. You'll probably find yourself repeating some lines over and over again or start singing the chorus just out of the blue. A great track.

Say Whaaat is one of those tracks where you don't exactly know how you feel about it after first listen. It quickly grows on you after a couple of listens. It's definitely unlike most of the rap songs you hear today. The beat is pretty basic but it's the perfect addition to the rappers' flow.

It's a shame that GBC aren't as popular as they should be. Looks Like A Magic is basically a pop song but you'll never hear it on the radio because the group is still relatively unknown. Otherwise, I don't see why they can't be as successful as most mainstream acts with tracks such as this one.

No Time To Speak is a vintage Scoop DeVille track. It definitely feels like a West Coast song to me especially the chorus.

Hurting Me So Much is a bass-driven track which – once again – doesn't sound like hip-hop. It's another relationship-based song. A good track to relax to.

Diamonds In Your Eyes is a hilarious song. From the cheesy R&B lyrics (the chorus goes: “Diamonds in your eyes / Heart of gold / Pussy made of platinum / Have you ever been told”) to Apathy trying to sing and Ryu's image-filled verse, the song feels like a Boyz II Men spoof.

Baby Mama is a song about guys juggling several girls at the same time. Ryu's verse was sort of weird because it sounded like he was falling asleep on the mic (but the lyrics were hilarious). It's not one of my favorite tracks on this album.

Come Talk To Me – sampling Jodeci's song - reminds me of those R&B/hip-hop songs of the 90s when they finally figured out that singing in the chorus while rapping the verses would prove to be even more successful than straight out rap. It brings the album to a soft and delightful finish. You'll just want to play the whole album over again after this song because it leaves you wanting for more.

In the end, hardcore underground fans will probably feel shafted by the happy/party atmosphere vibe of this album, but I found it great. Sure, Uzi Does It isn't as raw as Ryu and Apathy's previous material but it's fun. The way I see it, this album pays homage to the 80-90s' feel-good hip-hop but with a touch of modern dance music. Take some Fresh Prince-era Will Smith, mix it with some Jodeci, a touch of Black Eyed Peas, all of it sprinkled with Scoo-woop's trademark sounds and beats, and you've got an idea of Uzi Does It's sound. It's a highly improbable cocktail coming from those guys, but it makes an entertaining album that you won't stop listening to anytime soon. It is a great addition to Apathy's Wanna Snuggle? (reviewed HERE) which was released in October.

Score: 4.5/5

You can listen to the entire album for free by clicking HERE.

As for buying it, the album is relatively cheap since it was released by the guys themselves. You can buy it by using the link below or going on their official website HERE.

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Posted By: Ann 2 - Category: Rap / Hip Hop

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Apathy - Wanna Snuggle? Album Review

October 26th 2009 03:37

Release date: October 6th 2009

Genre: Rap, Hip Hop

Label: Demigodz Enterprises

With so many big name rappers releasing their albums this year (Eminem, Jay-Z, 50 Cent, etc.), it was great to hear that underground rappers were also coming out with some new stuff. On our list of favorite rappers, Connecticut's Apathy is pretty close to the top. Relatively unknown to the mainstream, we decided to review his sophomore album to perhaps bring his music to a new audience. After the Snowgoons' collab album in the early summer, Apathy's Wanna Snuggle? is the second underground album we're reviewing here at MuzikalMafia. Read on to find out what we thought of it.

1. Hell's Angel (listen to it HERE)

Ann: Hell's Angel is a short introductory track to the album. The second Apathy's voice comes on the mic, you get sucked in, listening to his every word. Despite being less than two minutes long, the track basically has two verses: the first in which Ap comments on the state of the economy, and the second where he formally introduces the album by saying, “Rats – I know a couple / I catch you in the jungle / 'Cause I'm a boa constrictor motherfucker – wanna snuggle?”

Alain: Hell's Angel has a smooth 90's style to it. It isn't Apathy's best beat but it's cool.

2. Money Orientated (ft. Emilio Lopez) (listen to it HERE)

Ann: In Money Orientated, Apathy ups his rhyming level. His monotone flow only enhance his rhymes which are cleverly structured throughout his verses. Emilio Lopez makes a decent appearance. I hadn't heard him in a long time so it was good to have him on here even though it felt weird – like seeing an old acquaintance that you haven't talked to in years. The beat didn't impress me. I found the voice samples very annoying after each chorus. As for the subject matter, well, the title is pretty self-explanatory and the track reminded me of Ap's “Doe For Clothes” from the Where's Your Album? mixtape.

Alain: The beat in Money Orientated is mad dope with a great bassline but I don't think Ap ripped it like he could have. The chorus was really dope and smart as he took some lines from an old rap song.

3. Gov't Cheese (listen to it HERE)

Ann: Gov't Cheese is another minute-and-a-half-long track. Here again, the subject of money is tackled; only this time, Ap talks about living in poverty. The instrumental is pretty neat: saxophones mixed with some percussion and drum machine gives it an old-school feel.

Alain: The beat on Gov't Cheese doesn't sound like an Apathy beat until he gets on it and the loop switches. This isn't his best beat either. The lyrics are cool but not ill.

4. On And Off The Mic (ft. Blacastan) (listen to it HERE)

Ann: On And Off The Mic is a good track but not as great as the others. Listening to it, it felt like the kind of track that would sound better when bumping it in the car instead of the home stereo.

Alain: Using an old drum loop and old instrument, On And Off The Mic has a 80s sound to it. What I didn't like about this track is that the beat has no feel to it. Yet, Apathy flows well on it, he flows like it was the 80s.

5. Back In L.A. (ft. Ryu & Veze Skante) (listen to it HERE)

Ann: Back In L.A.'s smooth instrumental is vintage Apathy. Ryu's presence in the second verse makes it even better. I didn't really like the chorus but the track's vibe overall was great.

Alain: Back In L.A.'s beat starts out of nowhere but it's a really smooth instrumental. “Smooth” as in a song for the ladies. Ap does his thing on the mic and I liked his little singing on the chorus.

6. Shoot First (ft. B-Real & Celph Titled) (listen to it HERE)

Ann: Where Back In L.A. is vintage Apathy, Shoot First's beat has Mike Shinoda written all over it. From the way the drum machine is sequenced to the small guitar notes, you can tell that the Linkin Park frontman had a hand in it. With heavyweights Apathy, B-Real and Celph Titled all taking a turn on the mic, this track is pure fire. At first listen, it seemed like the beat didn't fit with Celph but it becomes less noticeable after a couple of repeats.

Alain: What is there to say about Shoot First? Guest appearance by Celph Titled! Beat by Mike Shinoda! This track is insane! My favorite song of the album.

7. I'm A Demigod (listen to it HERE)

Ann: I'm A Demigod is all about Ap's skills on the mic. Using the beat as a measuring stick, he modulates his flow depending on the beat's level of intensity, going all out when the beat's exploding and slowing down to a monotone flow when the beat simmers down. His various shout-outs throughout the song makes it feel like a mixtape track. Among those shout-outs was the announcement that the Demigodz album is coming soon. I, for one, was happy to hear that. Excellent track produced by Teddy Roxpin.

Alain: I'm A Demigod is my second most favorite track of the album. The cut for the sample is off the hook and Ap goes hard on the mic. You can hear it in his voice. Purely raw track.

8. True Love (ft. Phonte of Little Brother) (listen to it HERE)

Ann: True Love is the album's love song similar to “Can't Nobody” from the Where's Your Album? mixtape. The boom-boom-bap of the drum machine along with the doo-wop voice loop gives this track an undeniable old-school sound that's great to listen to when you're just chilling.

Alain: True Love's beat is cool but somehow weird. It's definitely not Apathy's best beat. I don't think this song would go in my MP3. It's just too weird.

9. Mind Ya Business (ft. Chip-Fu) (listen to it HERE)

Ann: Mind Ya Business is a good track with a slightly Jamaican flavor. The reggae vibe, punctuated by Chip-Fu's singing on the chorus, just makes you want to lie on a sandy beach and relax.

Alain: Mind Ya Business' beat is cool and relaxing. The mix of claps, background instrumental, and a perfectly set bassline makes for a dope beat. Ap does his thing and the chorus is cool. I love it.

10. Thinkin' (listen to it HERE)

Ann: Thinkin' has a pretty basic beat but it isn't noticeable thanks to the way Apathy carries the song with his flow. The chorus is quite catchy and stays in your head after only one listen.

Alain: Thinkin's beat sounds mad old because of the sample but that's really dope because that's hip-hop. The way they use the sample is really great. The chorus is also a good hook, not commercial but just great.

11. This Is The Formula (ft. J-Live) (listen to it HERE)

Ann: The horns in This Is The Formula's beat give it a distinctly old-school flavor. Ap and J-Live add to that feeling with a flow that feels somewhat dated yet fresh at the same time. It's definitely different from what you hear today.

Alain: This Is The Formula sounds like an instant classic song. Ap ripped the beat and the lyrics. The flow was on point. It's definitely my third favorite track.

12. Guys And Girls (ft. Blue Raspberry) (listen to it HERE)

Ann: Guys And Girls' title is pretty self-explanatory. In it, Apathy explains how girls are all the same and want the same thing in guys. Ap's singing on the chorus was unexpected but after hearing it for the first time, you wonder why he doesn't try it more often. The female singing “When you put your faith in one guy / Sometimes, he'll make you happy / Sometimes he'll make you cry” at the end was a nice touch.

Alain: Guys And Girls is a song for the ladies of course. A real cool, relaxing beat. Listen to this when you wanna make a point to your girlfriend. The sample was used efficiently. The lyrics are cool.

13. Anyday (ft. King Magnetic) (listen to it HERE)

Ann: Anyday is a good song. It's better to listen to it with headphones on in order to hear all the subtleties in the beat.

Alain: This song is mad cool. The beat is raw and dope. Apathy does his thing on point, that's the Ap I like. The chorus is dope. If you hate this song, something is wrong with you.

14. Candy (ft. Dose) (listen to it HERE)

Ann: Candy contains a sample from the 50s. It's definitely different from anything you've ever heard. Although rappers sample a lot, they rarely leave the voice samples in their original form, opting instead for transformations which hide the samples' origins. Here, the chorus is exactly like a song you would hear in the 50s and yet the song as a whole works. A great track.

Alain: Supposedly for the ladies, Candy sounds like an 50's song for the old people to dance to only remixed, but that's only the sample. The beat is pretty cool, I feel it. You might hate it at first but you'll love it once you're used to it.

15. Run, Run Away (listen to it HERE)

Ann: Run, Run Away has a nice beat. It's a happy-go-lucky beat that just makes you want to move. What I find impressive on this album is that several samples would probably appeal to the older folks – and when I mean old, I mean “baby boomer” old – but Apathy makes it sound so fresh and modern that you can't help but like it. I mean, why can't rap today sound like Candy or Run, Run Away.

Alain: Run, Run Away is my fourth favorite song. You will never hear a rapper spit on a beat like this. It's so different; ill somehow but also relaxing and chill. It's not too jumpy but there's still a happy feeling to it. Furthermore, the chorus stays on your mind after only one listen.

16. No Sad Tomorrow (ft. Holly Brook & Mike Mass) (listen to it HERE)

Ann: No Sad Tomorrow is probably one of the weakest tracks of the album and even that is quite a stretch because it's still a pretty good song. The chorus is probably its brightest spot.

Alain: No Sad Tomorrow starts like a Japanese cartoon's theme song until the drums come in. Of course, Apathy does his thing. The chorus is also great, using a voice from somewhere.

17. Rhode Island (ft. Emilio Lopez) (listen to it HERE)

Ann: Rhode Island is basically a shout-out track to the song's namesake. Apparently, that's where Ap first broke out and he simply wanted to give credit where credit is due.

Alain: Rhode Island's beat is off the hook! With a beat like that, you know whoever's on the mic has to kill it, and Apathy definitely did. This is DOPE! The chorus is pretty simple as they keep repeating “Shoutout to Rhode Island” but sometimes less is more.

18. What Goes Up (listen to it HERE)

Ann: What Goes Up starts with a sample from the 50s that transitions into the track's instrumental with the addition of a bass line. It's a quiet and relaxing instrumental. As usual, Apathy does his thing and comes out with another great track.

Alain: What Goes Up starts with an old song. The beat doesn't have any kick or hi-hat, just a little snare that I think was already in the loop. Ap has cool voice on this beat, he flows very well. This song is definitely thought-provoking.

19. Hard Times On Planet Earth (listen to it HERE)

Ann: Hard Times is a great track about Ap's career. From being ignored due to color of his skin to leaving Atlantic Records and becoming famous without having any “big money” come in, Ap wonders if life wouldn't have been better if he had just gone to school and became an engineer.

Alain: On this song, the chops from the loop are crazy and the drum pattern is well-made. And Ap once again does his thing. The chorus is a little lazy though. They didn't seem to make alot on it.

20. Slave (ft. Motive) (listen to it HERE)

Ann: On Slave, Ap's skills on the mic take center stage supported by a Poltergeist-like instrumental.

Alain: Slave's beat has an old gangster feel to it. The drum pattern is simply raw and the sample is mad scary and crazy. Apathy speaks like narrator of an horror movie. This track is dope. It's different from everything on this album.

21. Victim (ft. Holly Brook) (listen to it HERE)

Ann: Apathy simply kills it on Victim. Here again, the quiet instrumental leaves the spotlight to Ap's rapping. Holly Brook does a masterful job on the chorus. It's a perfect ending to what seems like a flawless record.

Alain: Victim starts with a guitar loop, then both Ap and the drums kick in. In my opinion, this beat is too simple – a guitar loop with basic drums, it was boring. Yet, Ap puts his storytelling skills to good use here and Holly Brook did a nice job on the chorus. Still, the song is not really special.

Final Word

Ann: Although Apathy's Wanna Snuggle? isn't as raw as his previous work, it's certainly his most consistent for lack of a better term. No track disappoints here and even when it feels like a track isn't as good as the others, a couple more listens usually set the record straight. The album gets better as you make your way through. After a handful of good tracks, the album really takes off from the sixth track on. When I finished listening to the album, my mind was made up, this is a 4.75/5. A couple of tracks kept me from giving it a perfect score but Wanna Snuggle? is definitely one of my favorite – if not my outright favorite – album this year. A MUST-BUY.

Alain: I give this album a 8.5/10. It's totally different from what you find on the shelves these days. Ap keeps the underground/old-school hip-hop feeling on this record. The only reason why Wanna Snuggle? is not a 9 is because I prefer Ap's first album. But that's just me. It's not that this album sucked or anything, it's only that it was totally different from the first one. It's good that Ap is experimenting but I prefer his style on his first album. But like I said, Ap spit on some beat that rappers today wouldn't even have the courage to spit on. Rappers nowadays are 75% beat, 25% lyrics, meaning if their beat sucks, the whole song sucks. Ap is 35% beat and 65% lyrics. He can kill a beat, no matter what the style is. If the beat is crazy, Apathy will lyrically put it on another level and you can hear it in his voice when he wants to go in or not. I don't understand why he's not known and respected the way he should be. Apathy is one of the illest MCs out there. Go check him out.

I personally think that the reason why his beats on this record weren't as good as the ones on his mixtapes is the copyrights for the samples. Since clearing samples can get pretty expensive, he can't sample anything like Kanye does so he samples what he can. I'm not saying he ain't rich or anything, I don't know, but listen to his mixtapes, the beats are insane. Anyways, I definitely recommend this album. There isn't a song that sucked enough to make me skip to the next one. Wanna Snuggle? is a MUST-BUY!

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Posted By: Ann 2 - Category: Rap / Hip Hop

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Jay-Z - The Blueprint 3 Album Review

September 15th 2009 00:36

Release date: September 8, 2009

Genre: Hip hop

Length: 60:47

Label: Roc Nation, Atlantic

One of the most anticipated albums of the year, Blueprint 3, has finally dropped. Going up against Eminem's Relapse, many people expected Blueprint 3 to be the best rap album of the year. But what did Jay-Z bring us this time – the commercial stuff that the masses embrace so readily or the real good, old street hip hop. The album was supposed to be produced only by Kanye West and No I.D. But Jay called some more producers to the table. Was that a good move? We shall see...

The album kicks off with What We Talkin' About featuring Luke Steele. Produced by Kanye and No I.D., the beat is a mix of synthesizers with a choir in the background. It sounds like a good mainstream hip hop song. If you listen to the lyrics, you will hear the following lines: “I ain't talking about gossip, I ain't talking 'bout Game / I ain't talking about Jimmy, I ain't talking 'bout DAME!” This is the part that really opened up the beef between Game and Jay. There were some subliminal shots here and there by both rappers but nothing really serious. But with this line, Jay made Game write a diss song titled “I'm So Wavy.” So, What We Talkin' About started a beef that hasn't ended yet. The song is average for me. I really didn't like the chorus but at least the lyrics had some good sense.

The second track of the album, Thank You, is also produced by Kanye and No I.D. Its beat is better than the previous track but Jay-Z doesn't fully exploit it in my opinion, meaning that the song could've been better. At some point, it becomes boring. It's like Jay-Z isn't even trying anymore, he's just rapping to rap and it doesn't sound right.

No I.D. was the lone producer on the first single titled D.O.A (Death Of Auto-Tune). The beat is off the hook but like Thank You, Jay-Z doesn't take it to the level that he can. Still, he does flow well on this beat. What I hate about this song is the lyrical theme. The song calls for Death of Auto-Tune but at the same time, Jay-Z respects Kanye even though the latter dropped a full Auto-Tuned album. He also gave some props to T-Pain – another Auto-Tune user - in an interview. I think he should choose something. Either Auto-Tune is bad or it's good. It can't be bad for some and good for some. Anyways, those were my thoughts on this song.

The second single, Run This Town, features Rihanna and Kanye with the latter also getting producer credit. The song has the cool, soul type feel to it. You can easily recognize Kanye's style in this track. Some might hate it but I liked Rihanna's singing in this song. I found it very uplifting. But again, Jay-Z doesn't kill the beat like he used to. He's rapping just to rap, there's no feel to it.

The fifth track called Empire State Of Mind features Alicia Keys. Nas was also supposed to appear on this song but no one knows what happened there. The track is very good lyrically and musically but Nas could definitely have taken it to another level. I think Alicia Keys took Nas' place on the last verse. Strangely enough, this song is crazy and yet it's not even Kanye or No I.D. Who produced it, it's..... Shux. Alicia Keys does bring something great on the chorus. This track is one of the best songs so far on this record.

Real As It Gets featuring Young Jeezy follows Empire State Of Mind. Say whatever you want but every artist needs a mainstream-friendly name on their album even Jay-Z. Real As It Gets was produced by The Incredibles. It's a cool beat but sounds recycled. Since Jeezy was the first to spit, it seemed like the beat was made for him and not for Jay. He ripped it better than Hov. There is nothing more to say about this track really. It's just like any song you hear nowadays.

Swizz Beatz makes a guest appearance on On To The Next One. I never thought he would be on this album. Since the track was produced by him, you already know what to expect. Swizz Beatz is a good producer but his pool of inspiration is pretty small. This song was supposed to be crazy but it's just boring with Jay-Z spitting on a loop. Nothing new or interesting.

The eighth track, Off That, features the “incredible” Drake (it seems that's what people think nowadays -_-). Although Timbaland produced the track, the beat is nowhere near as good as his work with Missy. Like Jay-Z, now that Timbo is a big name, he doesn't try anymore. The chorus is nothing new with Drake singing or whatever it is that he does.

Kanye and No I.D. pop in again on A Star Is Born featuring J. Cole. I don't know how to explain this song. There's an uplifting part and a part with claps. Jay does well on this beat – nothing too crazy but still good to listen to. J. Cole does his thing on the chorus which isn't much since it only lasts like two seconds.

Timbaland's second track on the album is Venus vs. Mars. This beat was darker than Off That. It's cool at the start but you get tired of hearing it and Jay-Z doesn't make it any better.

Already Home features Kid Cudy and was produced by Kanye. I didn't like Cudy on this song, not feeling him at all on the chorus. Jay, again, doesn't really make something of this song, it's just... boring.

The twelfth track, Hate, features Kanye West. I don't know what Kanye used to make this beat but it's really weird. Both rappers are really bad on this song, their flow doesn't match the beat at all and they aren't saying anything important. This track is just weird and boring.

Timbaland is back again with Reminder. The beat is more a gangsta type of song but Jay-Z raps on it like he would on any other beat. This song is also boring.

So Ambitious features Pharrell who also gets production credit on the track. It's easy to see that the beat was made by Pharell but it's not that impressive. I don't know if it's Jay-Z who doesn't know how to pick a dope beat or if it's the producers who are getting worst because this beat sounds like Pharell minus 99% of his talent. Another boring song.

Young Forever featuring Mr. Hudson concludes the album. Produced by Kanye, the beat starts like a wedding theme. When the drum pattern kicks in, you realize that this beat is sloooowwwww. And jay-z once again doesn't make it crazy. This song is just slow and you're like “O-kay.” Mr. Hudson only does the chorus.

With Blueprint 3 being one of the most anticipated albums of the year, you can see why Nas is saying that hip hop is dead. This record became boring after the first five songs. It was so bad that I wanted to finish it quickly after Empire State Of Mind. I give this album a 6.5/10 and I'm not kidding. Jay-Z can do 100 times better than this and everybody knows it. But mankind is getting dumber and dumber every year until they don't even remember what good music sounds like. Don't you people remember Feeling It, Hard Knock Life, Big Pimpin', I Just Wanna Love U, Renegade, PSA, Lost One, Rock Boys? I just named a classic song off of each of his albums and not one song on this Blueprint can be compared to those. I'm sorry to say this but Jay-Z lost his touch on the mic. He's finished but he's still making money because people keep buying his albums. I also blame the producers for the lack of quality work. I mean c'mon, you got Kanye, No I.D., Timbaland and The Neptunes and you still can't make a great album? Something is just wrong.

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Posted By: Alain - Category: Rap / Hip Hop

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