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For the second issue of Blast From The Past, we'll dvelve into punk rock, metal, and rap. Part III will look at one of greatest metal bands, Iron Maiden.

[Click here for Part I: Fat Joe - Don Cartagena Album Review]

[Click here for Part II: The Ramones - Mondo Bizarro Review]

Powerslave Iron Maiden
Release date: 3 September 1984


Genre: Metal

Length: 50:26

Label: EMI

Released more than twenty years ago, Powerslave is Iron Maiden's fifth album. It ranked second on the UK Album charts, and barely missed the US Billboard's Hot 200 by getting as high as 21st.

From the opening notes of Aces High, you know you're going to listen to something great. The guitar and the bass shine equally on this track. Nowadays, the bass is often used as a back-up to the guitar, so it was refreshing to have the two instruments having individual patterns. At first listen, I didn't like the chorus, but it really matches the intensity of the instrumental.

Aces High is followed by 2 Minutes To Midnight, an instant classic. It has a great instrumental and you'll find yourself shouting “Two minutes to midnight” by the second listen.


Losfer Words (Big 'Orra) is an instrumental where the guitar gets to shine, something that you don't see too much anymore. A four-minutes delight, the guitar's pattern will stay stuck in your head for days and days.

The fourth song of the album Flash Of The Blade has a great guitar. The song was also covered by Avenged Sevenfold (HERE), you decide which version is better. I personally prefer the original.

The Duellists sounds like a continuation of Losfer Words. I think it would have been better positioned right after the instrumental instead of having another song between the two. There's a long guitar solo halfway through to the song that makes you forget that there actually were some lyrics at the beginning. I was slightly startled when the lyrics came back because the solo was so long, I just expected it to go on and on. Back In The Village also has a solo between verses but it was a little shorter than on The Duellists.

Powerslave is the album's title track. This song ties the Egyptian theme on the cover to the album's sound mainly through the lyrics. It's probably the darkest song on the album as the guitar seems to have a menacing tone.

The album concludes on Rime Of The Ancient Mariner, a ten-minutes long epic track. The song seems to be separated in two parts thanks to the great instrumental that really shifts the initial sound halfway through. So it really feels like two songs into one that tells a long story.

In the end, this was a great album, a must-buy. I give it a 4.9/5. It would've gotten a perfect score, but unfortunately I got bored halfway through (especially on Flash Of The Blade), so I feel like it's missing that punch needed to make it perfect. Don't get me wrong, the songs are great, they're just missing that extra something that makes you want to air-guitar away.

So, that's it for this month's Blast From The Past. Hope you enjoyed it and learned something new. See you all next week.

Note: If you noticed, this is the second album review in which I haven't provided any links for the songs. The explanation is simple. I couldn't find several Ramones' tracks for Mondo Bizarro and YouTube vids for Iron Maiden tracks have a terrible sound quality where the bass almost drowns the guitar. My advice to you would be to either buy or download these two albums.
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For the second issue of Blast From The Past, we'll dvelve into punk rock, metal, and rap. This is the second part for the month of September, and will deal with The Ramones' Mondo Bizarro

[Click here for Part I: Fat Joe - Don Cartagena Album Review]

Ramones Mondo Bizarro album cover

Release date: September 1, 1992

Genre: Punk rock

Length: 37:25

Label: Radioactive

I didn't know much about The Ramones before listening to this album. I knew they were one of the first punk rock in America, but I was only familiar with their debut single “Blitzkrieg Bop” by hearing it in one of the Tony Hawk's Pro Skater videogames. Although Mondo Bizarro came out in the early 90s, it still managed to keep that old punk sound from the 70s.

The album starts off with Censorshit, a song about censorship. It has that old punk sound to it and a nice sing-along chorus. However, I didn't like the singing on the last verse, it screwed up the end of the song, and left me with a sense of disappointment.

The Job That Ate My Brain is a song about the monotony of 9-to-5 jobs. The chorus will definitely stick in your head for a while. “I can't take this crazy”/”I've become a mental case”/”This is the job that ate my brain.” It's a pretty good song.

The first single, Poison Heart, is a bit average in my opinion. Several tracks are way better than this song, so having this one has first single really puzzles me.

Strength To Endure is the kind of song that grows on you. It's not really impressive but you'll find yourself liking it after a while.

It's Gonna Be Alright is dedicated to all the fans. The title (and the lyrics themselves) is probably related to Dee Dee Ramone's departure from the band before the release of this album. I didn't really like this song, it didn't sound original to me and the lead singer sounded old.

It's Gonna Be Alright music video


Take It As It Comes is a cover of the Doors' song by the same name. The instrumental is all-around solid, and the inclusion of a keyboard was a breath of fresh air in a punk album.

Anxiety, Main Man, and Tomorrow Goes Away all sound more energetic than the other tracks. The singing is faster, giving the song a higher tempo. Anxiety has a simple guitar riff but the song is still pretty damn good.

I Won't Let It Happen sounds a lot like 70s/80s rock. In fact, it reminded me of the movie Grease. Don't ask why though, it just has that song.

Cabbies On Crack and Heidi Is A Headcase are classic punk rock songs. Cabbies has a nice guitar solo towards the end while Heidi is probably the song that all punk rock bands try to emulate when singing about love.

Touring is the final track of the album. Just like it says, it's a song about touring. It was a bit weird though because it sounded like a tougher version of the Beach Boys.

Spiderman is a cover of the TV show main theme. An all-time classic, this is a great song to reminisce the good old times.

Spiderman music video


In the end, this a good album. Not a great one, but still good. There's nothing amazingly out of this world about it, but there's nothing bad either. I give it a 3.5/5.
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Trapt Only Through The Pain

Release date: August 5, 2008

Genre: Post-grunge

Length: 45:06

Label: Eleven Seven

Remember that band who burst out into the music scene five years ago with their massively successful debut single “Headstrong?” Well, those guys are back with their third studio album, Only Through The Pain, a record about love and relationships which reaches out to the MTV/teenage girls audience while still trying to keep a rock edge.

The album starts off with Wasteland, one of the few high-tempo tracks of the record. The sound is vaguely similar to California band Avenged Sevenfold. At first listen, it seemed like the singing in the verses didn't match the instrumental but it got better after a couple of replays. The bridge and the chorus, though, are definitely the best parts of the song.

Who's Going Home With You Tonight? and Contagious are the kind of songs that you would see on MTV's TRL. Fans of the Rock Band videogame might have played the first single, Who's Going Home With You Tonight?, on their consoles. To me, the best part of the song was the bridge. Contagious is a love song that's solid all around. I loved the lyrics on that one.

The next two songs follow the love theme with both tracks being ballads. On Black Rose, I was pleasantly surprised by the guitar solo towards the end, it came out of nowhere, yet it was great. Plus, the singing went well with the instrumental. But it's on Ready When You Are that I realized how much I liked Chris Brown's voice; the way he's able to slow down to the point of almost speaking the lyrics contrasts well with his singing on the chorus.

Forget About The Rain is a prime example of a band trying something new and failing miserably. The song has some sort of funky bass that's really bad. It's a really disappointing effort, especially after the album's previous tracks.

Cover Up is an average song that starts hard but turns out to be a normal rock song with a sing-along chorus.

Only One In Color follows Cover Up and is a ballad. It's a boring song, pretty disappointing considering the good work they did on Black Rose and Ready When You Are.

The ninth track of the album is called Wherever She Goes. I'm tempted to say that it sounds like Incubus but I'm not completely familiar with Incubus' entire catalog, only a handful of songs, so I'll leave it at that. It's another love song (you could've guessed that from the title).

Curiosity Kills is a hard song but the singing and the instrumental don't really go well together. The guitar on the verses sounds like it's doing its own thing while the singer sings.

The album concludes with another ballad called The Last Tear. It's a good song that saves the second part of the album from oblivion.

With four ballads, and the majority of songs talking about love, Only Through The Pain is a good buy for the mainstream audience. This album makes me think of Trapt as a sort of younger, American version of Nickelback. I would have given the album a 3.5 or 3.75/5 but the decline in quality from the sixth track to the tenth (half of the album), brings the score down to 3.25/5.

Next week is the second edition of Blast From The Past. I'll be reviewing The Ramones' Mondo Bizarro and Iron Maiden's Powerslave while fellow member Alain will review a hip hop record along with The Game's newest album L.A.X. as a bonus review. So, see you folks next Monday.
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Scars on Broadway SoB album cover
Release date: July 29, 2008

Genre: Alternative rock, experimental rock, alternative metal


[ Click here to read more ]
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Nine Inch Nails NIN The Slip album cover

Release date: July 22 2008

[ Click here to read more ]
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Welcome to the first edition of Blast From The Past. In this monthly column, we'll post three (sometimes four) reviews of albums that came out a long time ago. This month, we'll cover three very different musical genres by revisiting Aerosmith's Rock in a Hard Place, Michael Jackson's Ben, and N.W.A's Straight Outta Compton. We'll begin with Aerosmith whose Rock in a Hard Place was released 24 years ago.

[Click here for Part II: Michael Jackson - Ben]

[ Click here to read more ]
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Beck - Modern Guilt Album Review

July 28th 2008 21:20
Beck Modern Guilt
Release date: July 8, 2008

Genre: Alternative rock


[ Click here to read more ]
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WHY, Chris Daughtry...WHYYYYY???

November 25th 2006 00:32
I went to the CD section...I looked...I found and I bought the self-titled, debut album of Daughtry. Remember him? He was fourth runner up on that one reaaaallly successful show. I swore to myself I would never use that show title -(American Idol)- in conjunction with his name. I watched him, I loved him and I prayed for him to LOSE. Daughtry's sound was old and new, hard and heavy, and his voice...don't even get me started on his voice! I didn't want money-grubbing AI to get ahold of him and use him all up before his career even started. (Hello, does anyone even know where Ruben is? and why does Clay look like a pedophile now? 'Nuff said.)

So, all the way to the cash register, I kept thinking, "I have it!" I couldn't wait to get into my previously mentioned uncool minivan and take a listen. I slid in to the passenger side, making my husband drive. I slipped the CD from the case...I slid it into the CD player...and I heard...rock ballads. A collection of songs about relationships


[ Click here to read more ]
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Have you ever seen a man's soul lain bare on an alter or heard God speak directly to a man and bring him to his knees? Have you ever heard the voice of an angel?

Now...
Jonny Lang's new CD, 'Turn Around', is available in stores now. For fans of previous work, this is a different Jonny than you will be used to. Apparently, this young man has been through some rough times since he burst into the music scene at the age of 15, with his grammy nominated, ‘Lie to Me’. Whatever he has gone through, he is now grateful for his salvation from what he called a very dark time in his life, in several places on, 'Turn Around.'

[ Click here to read more ]
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Post End Text

October 21st 2006 03:07
Thanks for stopping by...visit my other posts and don't forget to subscribe to the email feature. A notification will be sent to you when something new has been added.
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Voices' Review: Blue October, 'FOILED'.

October 21st 2006 00:38
I was having one of those horrible days. You know the kind where you leave to get some milk and you begin to think you should just keep driving…past the store, past the post office, past the floral shop until you get to the interstate and take off without looking back? I was about to the post office when “Hate Me” came on the radio. I cried it all out by the end of the song and felt like a new woman. I went out and got the CD the next day because I was hooked…or so I thought.

I popped the CD in on my way home from the store and was horribly disappointed. I skipped through track after track and hated almost every song. I slipped the CD into the back recesses of my massive CD collection and left it there for weeks. It didn’t matter, I wouldn’t listen to it again. I didn’t like it at all…or so I thought


[ Click here to read more ]
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COMMUNITY MUZIK BOARD

October 18th 2006 00:21
COMMUNITY BULLETIN BOARD

For any up and comers who rock like gods that would like a little advertising or anyone with music related events...

[ Click here to read more ]
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This should invite some pretty impassioned responses. People can respectfully disagree about guitarists, vocalists and lyricists..but everyone is pretty damned serious about their pick of a drummer.

I think...no I KNOW...that the greatest drummer of all time, without a doubt -(just trying to add to the argumentative nature of this post)- is...

[ Click here to read more ]
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